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Giotto. Nativity. Scrovegni Chapel. c. 1304. |
Giotto crafted three dimensional, multi-hued images with often naturalistic, emotional portraits. His work created for us a bridge between medieval and Renaissance expressions. The walls of the Scrovegni chapel reveal both this artistic genius and a passionate unfolding of life-Truth told in the Nativity.
It is a peculiarity of humanity that we are intensely affected by a desire to make sense of our world through the arts or by science, by way of philosophical constructs or mathematical explanation, or by a submissive seek-yielding to Truth.
Giotto's paintings connect both our temporal sensibilities and our seek-yielding to Truth. Madeline L'Engle describes this well in the title of her book, The Glorious Impossible. L'Engle draws the connection:
And so he was born, this gloriously impossible baby, in a stable in Bethlehem...
Holding the child in her arms, rocking, singing, Mary wondered what was going to happen to him, this sweet innocent creature who had been conceived by the incredible love of God and who had been born as all human babies are born.
God, come to be one of us.
Immanuel, God with us!
This is the unfolding of life-Truth
And seek-yielding to Truth.
This is Christmas!
A Glorious Impossiblility!
The Truth Reality.
Jesus.
Blessings to you this Christmas!